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Drip painting is a form of art, often abstract art, in which paint is dripped or poured on to the canvas. [1] This style of action painting was experimented with in the first half of the twentieth century by such artists as Francis Picabia , André Masson and Max Ernst , who employed drip painting in his works The Bewildered Planet , and Young ...
Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed-race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Eftersommar (Late Summer) an early naturalistic work, painted by af Klint in 1903, an example of the works she exhibited to the public during her lifetime. Hilma af Klint was the fourth child of Mathilda af Klint (née Sonntag) and Captain Victor af Klint, a Swedish naval commander, and she spent summers with her family at their manor, "Hanmora", on the island of Adelsö in Lake Mälaren.
Clement Greenberg (/ ˈ ɡ r iː n b ɜːr ɡ /) (January 16, 1909 – May 7, 1994), [1] occasionally writing under the pseudonym K. Hardesh, was an American essayist known mainly as an art critic closely associated with American modern art of the mid-20th century and a formalist aesthetician.
In psychology of art, the relationship between art and emotion has newly been the subject of extensive study thanks to the intervention of esteemed art historian Alexander Nemerov. Emotional or aesthetic responses to art have previously been viewed as basic stimulus response, but new theories and research have suggested that these experiences ...
American abstract art was struggling to win acceptance and AAA personified this. The 1938 Yearbook addressed criticisms levied against abstract art by the press and public. It also featured essays related to principles behind and the practice of making abstract art. In 1940, AAA printed a broadside titled "How Modern is the Museum of Modern Art?"
In the 20th century the trend toward abstraction coincided with advances in science, technology, and changes in urban life, eventually reflecting an interest in psychoanalytic theory. [2] Later still, abstraction was manifest in more purely formal terms, such as color, freedom from objective context, and a reduction of form to basic geometric ...