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For example, arrival of construction iron essentially created a set of new core-forms, and many architects got busy inventing the matching art-forms. [6] Similarly, introduction of reinforced concrete , steel frame , and large plates of sheet glass in the 20th century caused creation of radically new space and mass arrangements.
Morphology in architecture is the study of the evolution of form within the built environment. Often used in reference to a particular vernacular language of building, this concept describes changes in the formal syntax of buildings and cities as their relationship to people evolves and changes.
This form can be found in nature, such as flowers, rocks, trees, etc., but can also be seen in architecture. [7] Forms in drawing and painting convey the illusion of three-dimensional form through lighting, shadows, value, and tone. The more contrast in value, the more pronounced the three-dimensional form is. Forms with little value appear ...
The Wainwright Building in St. Louis, Missouri, designed by Louis Sullivan and built in 1891, is emblematic of his famous maxim "form follows function".. Form follows function is a principle of design associated with late 19th- and early 20th-century architecture and industrial design in general, which states that the appearance and structure of a building or object (architectural form) should ...
Architecture is variously defined in conflicting ways, highlighting the difficulty of describing the scope of the subject precisely: [1] [2] [3] A general term to describe buildings and other physical structures – although not all buildings are generally considered to be architecture, and infrastructure (bridges, roads etc.) is civil engineering, not architecture.
Elements of art – shape, form, value, line, color, space and texture Shape – area defined by edges; Form – perceived volume or dimensionality; Value – use of lightness (tint, or white) and darkness (shade, or black) in a piece of art; Line – straight or curved marks that span a distance between two points. For example, see line art.
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A Pattern Language: Towns, Buildings, Construction is a 1977 book on architecture, urban design, and community livability.It was authored by Christopher Alexander, Sara Ishikawa and Murray Silverstein of the Center for Environmental Structure of Berkeley, California, with writing credits also to Max Jacobson, Ingrid Fiksdahl-King and Shlomo Angel.