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An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to The Oxford Handbook of the Elegy, "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a ...
One of the most popular subgroups of pastoral poetry is the elegy, in which the poet mourns the death of a friend, often a fellow shepherd. [5] Eventually, pastoral poetry became popular among English poets, especially through Edmund Spenser's “The Shepherd’s Calendar,” which was published in 1579. One of the most famous examples of ...
In the 18th century, lyric poetry declined in England and France. The atmosphere of literary discussion in the English coffeehouses and French salons was not congenial to lyric poetry. [16] Exceptions include the lyrics of Robert Burns, William Cowper, Thomas Gray, and Oliver Goldsmith.
The Elegy may almost be looked upon as the typical piece of English verse, our poem of poems; not that it is the most brilliant or original or profound lyric in our language, but because it combines in more balanced perfection than any other all the qualities that go to the production of a fine poetical effect." [130]
First, it can refer to something of, relating to, or involving, an elegy or something that expresses similar mournfulness or sorrow. Second, it can refer more specifically to poetry composed in the form of elegiac couplets. [1] An elegiac couplet consists of one line of poetry in dactylic hexameter followed by a line in dactylic pentameter.
Adonais: An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc. (/ ˌ æ d oʊ ˈ n eɪ. ɪ s / ) is a pastoral elegy written by Percy Bysshe Shelley for John Keats in 1821, and widely regarded as one of Shelley's best and best-known works. [ 1 ]
Interpreting the text of the poem as a woman's lament, many of the text's central controversies bear a similarity to those around Wulf and Eadwacer.Although it is unclear whether the protagonist's tribulations proceed from relationships with multiple lovers or a single man, Stanley B. Greenfield, in his paper "The Wife's Lament Reconsidered," discredits the claim that the poem involves ...
Examples of this are the mention of Death as an animate being, the "Sisters of the Sacred Well," Orpheus, the blind Fury that struck Lycidas down, and the scene in which Lycidas is imagined to have become a regional deity (a "genius of the shore") after drowning. Since Lycidas, like King, drowned, there is no body to be found, and the absence ...