Search results
Results From The WOW.Com Content Network
An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to The Oxford Handbook of the Elegy, "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a ...
First, it can refer to something of, relating to, or involving, an elegy or something that expresses similar mournfulness or sorrow. Second, it can refer more specifically to poetry composed in the form of elegiac couplets. [1] An elegiac couplet consists of one line of poetry in dactylic hexameter followed by a line in dactylic pentameter.
The relevance and acceptability of the lyric in the modern age was, though, called into question by modernist poets such as Ezra Pound, T. S. Eliot, H.D., and William Carlos Williams, who rejected the English lyric form of the 19th century, feeling that it relied too heavily on melodious language, rather than complexity of thought.
The Elegy may almost be looked upon as the typical piece of English verse, our poem of poems; not that it is the most brilliant or original or profound lyric in our language, but because it combines in more balanced perfection than any other all the qualities that go to the production of a fine poetical effect." [130]
One of the most popular subgroups of pastoral poetry is the elegy, in which the poet mourns the death of a friend, often a fellow shepherd. [5] Eventually, pastoral poetry became popular among English poets, especially through Edmund Spenser's “The Shepherd’s Calendar,” which was published in 1579. One of the most famous examples of ...
Interpreting the text of the poem as a woman's lament, many of the text's central controversies bear a similarity to those around Wulf and Eadwacer.Although it is unclear whether the protagonist's tribulations proceed from relationships with multiple lovers or a single man, Stanley B. Greenfield, in his paper "The Wife's Lament Reconsidered," discredits the claim that the poem involves ...
The speaker of the poem is arguably separated from her lover and/or husband, Wulf, both symbolically and materially ('Wulf is on iege, ic on oþerre' [Wulf is on an island, I on another]), and this separation is seemingly maintained by threat of violence ('willað hy hine aþecgan' [they will want to ?seize him]), possibly by her own people ('Leodum is minum swylce him mon lac gife' [it is to ...
Examples of this are the mention of Death as an animate being, the "Sisters of the Sacred Well," Orpheus, the blind Fury that struck Lycidas down, and the scene in which Lycidas is imagined to have become a regional deity (a "genius of the shore") after drowning. Since Lycidas, like King, drowned, there is no body to be found, and the absence ...