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  2. The Cat (2011 film) - Wikipedia

    en.wikipedia.org/wiki/The_Cat_(2011_film)

    "The Cat: Eyes that See Death") is a 2011 South Korean horror film directed by Byun Seung-wook. The film is about So-yeon (Park Min-young), who works at a small pet-grooming shop called Kitty N Puppy. So-yeon has claustrophobia and starts having apparitions of a ghostly young girl with cat-like eyes (Kim Ye-ron). [1] [2]

  3. The Cat (1988 film) - Wikipedia

    en.wikipedia.org/wiki/The_Cat_(1988_film)

    English. Read; Edit; View history; Tools. Tools. move to sidebar hide. Actions Read; Edit; ... The Cat (German: Die Katze) is a 1988 German crime film directed by ...

  4. The Cat (1992 film) - Wikipedia

    en.wikipedia.org/wiki/The_Cat_(1992_film)

    The Cat (衛斯理之老貓 Wèisīlǐ Zhī Lǎomāo, lit. "Wisely's Old Cat"), also known as The 1000 Years Cat , is a 1992 Hong Kong science-fiction action film directed by Lam Ngai Kai , based on the novel Old Cat , an installment of the Wisely Series , by Ni Kuang . [ 2 ]

  5. The Cat Returns - Wikipedia

    en.wikipedia.org/wiki/The_Cat_Returns

    The Cat Returns (Japanese: 猫の恩返し, Hepburn: Neko no Ongaeshi, lit. ' The Cat's Repayment ') is a 2002 Japanese anime fantasy film [2] directed by Hiroyuki Morita from a screenplay by Reiko Yoshida, based on the 2002 manga Baron the Cat by Aoi Hiiragi.

  6. Le Chat (film) - Wikipedia

    en.wikipedia.org/wiki/Le_Chat_(film)

    Le Chat ([lə ʃa], "The Cat") is a 1971 French-language drama film directed by Pierre Granier-Deferre and based on Georges Simenon's 1967 novel The Cat. [2] It recounts the story of an elderly married couple, Julien Bouin, a former typographist, and his wife Clemence, who used to perform in a circus, who have been loathing each other for years.

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  8. The Cat (1977 film) - Wikipedia

    en.wikipedia.org/wiki/The_Cat_(1977_film)

    The Cat is the third film produced by Sergio Leone, following My Name Is Nobody and A Genius, Two Partners and a Dupe. [2] After the difficulties experienced with Tonino Valerii and Damiano Damiani, he chose a director he fully trusted, the veteran Luigi Comencini, for whom in 1952 he had been assistant in Girls Marked Danger. [2]

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