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Use cushion covers to protect your cushions from the elements and make cleaning easier. Consider using a fabric protector spray to help repel water and stains. Dawn Original Dishwashing Soap
Next, follow the care instructions on your cushion and use a cleaning solution in line with that brief. Olivera recommends a DIY solution of mild dish soap and water. When applying, make sure to ...
The ear canal naturally pushes wax to the opening of the ear. "That’s where you should clean — the very outside opening of the ear," Schofield says. But don't reach for a cotton swab; Kesser ...
A bamboo ear pick with a down puff A metal ear pick. Ear picks, also called ear scoops, or ear spoons, or earpicks, are a type of curette used to clean the ear canal of earwax (cerumen). They are preferred and are commonly used in East Asia, South Asia and Southeast Asia because Asians tend to develop dry ear wax. [1] [2]
Iwan Müller, sometimes spelled Iwan Mueller (14 December 1786, Reval, Governorate of Estonia – 4 February 1854, Bückeburg), was a clarinetist, composer and inventor who at the beginning of the 19th century was responsible for a major step forward in the development of the clarinet, the air-tight pad.
The chalumeau (English: / ˈ ʃ æ l ə m oʊ /; French:; plural chalumeaux) is a single-reed woodwind instrument of the late baroque and early classical eras. The chalumeau is a folk instrument that is the predecessor to the modern-day clarinet.
Schmidt named the instrument the "Reform Boehm clarinet". In the second half of the 1940s, master clarinet maker Fritz Wurlitzer, based in Erlbach, [a] Vogtland / Saxony, built a clarinet with Schmidt's instructions. [1] They had collaborated earlier in producing the Schmidt-Kolbe clarinet, a variant of the German clarinet. [2]
The contra-alto clarinet [2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: . In 1829, Johann Heinrich Gottlieb Streitwolf [], an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.