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The Basement is a 2017 American horror film directed by Brian M. Conley and Nathan Ives. The film stars Mischa Barton, Jackson Davis, Cayleb Long, and Tracie Thoms. The film premiered at Shriekfest in Los Angeles on October 7, 2017. It received a 10 market theatrical and digital release in the United States on 15 September 2018.
Basement is a 2014 horror film co-written and directed by Topel Lee. [1] [2] [3] Synopsis. This article needs an improved plot summary. Please help improve the plot ...
Basement is the first feature film from Paperknife Productions; a company based at Pinewood studios. Terry Stone's Gateway Films is also involved in Basement's production. The film premiered at The May Fair on 17 August 2010 in London and was then released straight to DVD and Blu-ray on 23 August 2010.
The sexiest horror movies of all time, ... (Faye Dunaway) begins to have visions of murders—that also happen to resemble her shocking and violent artistic aesthetic. A young (and hunky) Tommy ...
The Forgotten (also known as Don't Look in the Basement and Death Ward #13) is a 1973 independent horror film directed by S. F. Brownrigg, written by Tim Pope and starring Bill McGhee, former Playboy model Rosie Holotik, and Annabelle Weenick (credited as Anne MacAdams) about homicidal patients at an insane asylum.
Jennifer, Eddie, and Pritchett search the basement for the security system's control panel. While exploring the labyrinthine basement, Jennifer unknowingly becomes separated from Eddie and confesses that her real name is Sara Wolfe, the recently fired assistant to the real Jennifer. She impersonated Jennifer, hoping to win the prize money.
But, she admits, the home's fictional history of horror still has a very real effect on her. "I used to be afraid to go in the basement," she said. %Gallery-168292%
Horror films originally released in the 2020s include the following. Often there may be considerable overlap particularly between horror and other genres (including, thriller, suspense, slasher, and sci-fi); the list should attempt to document films which are more closely related to horror, even if they bend genres.