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The paintings are located in Siena's Palazzo Pubblico—specifically in the Sala dei Nove ("Salon of Nine"), the council hall of the Republic of Siena's nine executive magistrates, [2] elected officials who performed executive functions (and judicial ones in secular matters). The paintings have been construed as being "designed to remind the ...
While classified as medieval or proto (pre)-renaissance art, these paintings show a transition from earlier religious art. Flanking the Allegory are two other paintings on perpendicular walls: Effects of Good Government and Effects of Bad Government. Both these frescoes depict a recognizable view of Siena and its countryside.
Later he painted The Allegory of Good and Bad Government. The frescoes on the walls of the Room of the Nine (Sala dei Nove) or Room of Peace (Sala della Pace) in Siena's Palazzo Pubblico are one of the masterworks of early Renaissance secular painting. The "nine" was the oligarchal assembly of guild and monetary interests that governed the ...
An icon of 14th-century art, it was considered to be one of the best works by Simone Martini. Over the centuries, the horseman has become an emblem of Siena which is still frequently found on souvenirs and local products. Many tourists came, and come, to Siena to see the fresco. [2]
The foundation of the Republic of Siena is traditionally dated to 1125, the year in which the last reigning representative of the Government of Bishops was deposed, at the time at the head of the city and the surrounding countryside. A consular government was appointed to administer the state in its early term. As in most of the medieval ...
Siena: The Rise of Painting, 1300–1350, is an exhibition of Sienese painting displayed at the New York Metropolitan Museum of Art (2024–2025) and London National Gallery (2025). Exhibition [ edit ]
Duccio di Buoninsegna (UK: / ˈ d uː tʃ i oʊ / DOO-chee-oh, [1] Italian: [ˈduttʃo di ˌbwɔninˈseɲɲa]; c. 1255–1260 – c. 1318–1319), commonly known as just Duccio, was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century.
Maestà (c. 1315) by Simone Martini. The Maestà is a large fresco (7.63 x 9.7 m) by Simone Martini.It takes up the whole north wall of the Sala del Mappamondo (or Sala del Consiglio) in the Palazzo Pubblico in Siena.