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At the time of Michelangelo's birth, his father was the town's judicial administrator and podestà (local administrator) of Chiusi della Verna. Michelangelo's mother was Francesca di Neri del Miniato di Siena. [12] The Buonarrotis claimed to descend from the Countess Matilde di Canossa—a claim that remains unproven, but which Michelangelo ...
Michelangelo's first contact with the Medici family began early as a talented teenage apprentice of the Florentine painter Domenico Ghirlandaio. Following his initial work for Lorenzo de' Medici, Michelangelo's interactions with the family continued for decades including the Medici papacies of Pope Leo X and Pope Clement VII.
Michelangelo, Punishment of Tityus, c. 1532 Michelangelo, The Fall of Phaeton, c. 1533 Copy derived from Michelangelo's lost Rape of Ganymede, c. 1532 Michelangelo, The Dream, c. 1533. The two drawings at left both represent a muscular male attacked by an eagle. Tityus was the son of a human princess and the god Zeus.
Importuno di Michelangelo: c. 1504 Palazzo Vecchio, Florence Pietraforte Rothschild Bronzes [6] 1506–1508 Fitzwilliam Museum: Bronze Male torso I (in Italian) c. 1513: Casa Buonarroti, Florence Terracotta height 23 cm Male torso II (in Italian) c. 1513: Casa Buonarroti, Florence Terracotta height 22,5 cm Naked woman scale model (in Italian)
Michelangelo began work on the statue of Giuliano began about 1526, after his statue of Lorenzo de' Medici, Duke of Urbino, was complete. The sculpture had to be completed in 1534, the year Michelangelo departed from Florence. In 1533 it was entrusted to Giovanni Angelo Montorsoli to complete any finishing touches.
Renaissance figure Michelangelo may have depicted a woman suffering from breast cancer in a famous fresco of a biblical flood on the ceiling of the Sistine Chapel, according to researchers.. The ...
The Florence museum housing Michelangelo’s Renaissance masterpiece the David on Sunday invited parents and students from a Florida charter school to visit after complaints about a lesson ...
In 1553 he published Vita di Michelagnolo Buonarroti, [1] an authorised account of Michelangelo's life over which his subject had complete control. The Vita was partly a rebuttal of hostile rumours that were being perpetuated about the artist, namely that he was arrogant, avaricious, jealous of other artists, and reluctant to take on pupils.