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The Safavid Shāh Ismā'īl I established the Twelver denomination of Shīʿa Islam as the official religion of the Persian Empire, marking one of the most important turning points in the history of Islam. [5] The Safavid dynasty had its origin in the Safavid order of Sufism, which was established in the city of Ardabil in the Iranian ...
Mamalik-i Mahrusa-yi Iran (Guarded Domains of Iran) was the common and official name of the Safavid realm. [42] [43] The idea of the Guarded Domains illustrated a feeling of territorial and political uniformity in a society where the Persian language, culture, monarchy, and Shia Islam became integral elements of the developing national identity. [44]
Safavid art is the art of the Iranian Safavid dynasty from 1501 to 1722, encompassing Iran and parts of the Caucasus and Central Asia. It was a high point for Persian miniatures , architecture and also included ceramics, metal, glass, and gardens.
This traced the Safavid family's lineage back to the eighth Shia Imam Ali ibn Musa al-Rida, who is buried in the Imam Reza shrine, the most revered location in Safavid Iran. The status of the Safavid family was enhanced due to their connections with Ali and Muhammad's family, as recognized by sources up to the 20th-century. [22]
The battle between the young Ismā'īl and Shah Farrukh Yassar of Shirvan. Ismail I was born to Martha and Shaykh Haydar on July 17, 1487, in Ardabil.His father, Haydar, was the sheikh of the Safavid tariqa (Sufi order) and a direct descendant of its Kurdish founder, [16] [17] [18] Safi-ad-din Ardabili (1252–1334).
The Naqsh-e Jahan Square (Shah Square) was built in the early 16th century when Isfahan was the capital of the Safavid empire, and it was one of the first sites in Iran to be inscribed on the World Heritage list, in 1979, [2] [3] and the Jameh Mosque of Isfahan was designated a World Cultural Heritage site in 2012. [4]
Women in Safavid Iran (1501-1736) refers to the position and status of women across Safavid society and culture within Safavid Iran. These women enjoyed a wide range of rights and freedom depending on their social status. Upper-class women had access to education and were both politically and publicly active in the Empire.
The roots of traditional Qajar painting can be found in the style of painting that arose during the preceding Safavid empire. During this time, there was a great deal of European influence on Persian culture , especially in the arts of the royalty and noble classes.