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The corresponding scale for the C 7 ♯ 11 chord, with added ninth and thirteenth tensions, is C lydian dominant, the fourth mode of the ascending melodic minor. [ 7 ] Originating with George Russell 's Lydian Chromatic Concept of Tonal Organization (1959), [ 8 ] the chord-scale system is now the "most widely used method for teaching jazz ...
Download as PDF; Printable version; In other projects ... 4-26: 0 3 7 t: Minor ... List of musical scales and modes; List of set classes; Ninth chord;
Download as PDF; Printable version; In other projects ... minor — Aeolian mode or natural minor scale: ... A free Android app with scales & building chords for the ...
3-4 4 Subdominant: Lydian: Dorian Lower dominant, happens to have the same interval below tonic as dominant is above tonic F F 5 5 Dominant: Mixolydian: Phrygian Second in importance to the tonic G G 7 6 Submediant: Aeolian: Lydian Lower mediant, midway between tonic and subdominant, (in major key) tonic of relative minor key A A♭ 8-9 7
Only two or three frets are needed for the guitar chords—major, minor, and dominant sevenths—which are emphasized in introductions to guitar-playing and to the fundamentals of music. [ 92 ] [ 93 ] Each major and minor chord can be played on exactly two successive frets on exactly three successive strings, and therefore each needs only two ...
[2] [3] The standard tuning's irregular major-third is replaced by a perfect fourth in all-fourths tuning, which has the open notes E2-A2-D3-G3-C4-F4. [1] [4] The note layouts on the fretboard of a guitar tuned in perfect 4ths, with arrows that show where the same note continues on a higher-pitched string.