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A wall covered in zellīj at the Ben Youssef Madrasa in Marrakesh. Zellij (Arabic: زليج, romanized: zillīj), also spelled zillij or zellige, is a style of mosaic tilework made from individually hand-chiseled tile pieces.
While these factories produces high-relief tiles in one or two colours, the Lisbon factories started using another method: the transfer-print method on blue-and-white or polychrome azulejos. In the last decades of the 19th century, the Lisbon factories started to use another type of transfer-printing: using creamware blanks.
The pattern appears inlaid into the body of the tile, so that the design remains as the tile is worn down. Encaustic tiles may be glazed or unglazed and the inlay may be as shallow as 1 ⁄ 8 inch (3 mm), as is often the case with "printed" encaustic tile from the later medieval period, or as deep as 1 ⁄ 4 in (6.4 mm).
Robinson proves these tiles must form this structure inductively; in effect, the tiles must form blocks which themselves fit together as larger versions of the original tiles, and so on. This idea – of finding sets of tiles that can only admit hierarchical structures – has been used in the construction of most known aperiodic sets of tiles ...
Girih tiles are a set of five tiles that were used in the creation of Islamic geometric patterns using strapwork for decoration of buildings in Islamic architecture. They have been used since about the year 1200 and their arrangements found significant improvement starting with the Darb-i Imam shrine in Isfahan in Iran built in 1453.
17th century Delft blue and white tile with sea monster. Delftware wall tiles, typically with a painted design covering only one (rather small) blue and white tile, were ubiquitous in Holland and widely exported over Northern Europe from the 16th century on, replacing many local industries. Several 18th century royal palaces had porcelain rooms ...