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  2. 10 Pedals Every Guitarist Should Own - AOL

    www.aol.com/entertainment/10-pedals-every...

    It’s 2024, guitar pedals are bigger than ever, and Bill Finnegan still hasn’t shown any kind of inclination or desire to make anywhere near enough of his legendary Klon pedals to satisfy demand.

  3. List of distortion pedals - Wikipedia

    en.wikipedia.org/wiki/List_of_distortion_pedals

    A two-sided pedal with independent controls and internal DIP switches to choose between boost, overdrive, and distortion modes, Piera started building the pedals by hand in Bethel, Connecticut and selling them online under the moniker "Analog.Man." [36] The King of Tone initially sold slowly, but quickly developed a following after Piera ...

  4. Boss DS-1 - Wikipedia

    en.wikipedia.org/wiki/Boss_DS-1

    The Boss DS-1 is a distortion pedal for guitar, manufactured by the Roland Corporation under the brand name Boss since 1978. The first distortion effects unit made by Boss, [1] it has become a classic effect, used by many notable guitar players. [2] Boss released a successor, the DS-2. [3]

  5. Pro Co RAT - Wikipedia

    en.wikipedia.org/wiki/Pro_Co_RAT

    Numerous variations of the original RAT pedal are still being produced today; it has become one of best selling guitar effects boxes of all time, with some retailers placing it in their top-ten most-sold pedals. [2] The pedal has changed in appearance over the years, but its tone has remained largely the same.

  6. JHS Pedals - Wikipedia

    en.wikipedia.org/wiki/JHS_Pedals

    JHS Angry Charly overdrive/distortion pedal. JHS manufactures and sells pedals with a variety of effects, including the Morning Glory V4, the Muffuletta, the 3 Series, the Pulp'N'Peel V4, the Andy Timmons AT+, the Paul Gilbert PG-14, the Legends of Fuzz series, the Unicorn Univibe, the Lucky Cat, the Double Barrel V4, the 1966 Series and the Colour Box preamp.

  7. Klon Centaur - Wikipedia

    en.wikipedia.org/wiki/Klon_Centaur

    The Klon Centaur is an overdrive pedal made by the American engineer Bill Finnegan between 1994 and 2008. Finnegan aimed to create a pedal that would recreate the harmonically rich distortion of a guitar amplifier at a high volume. Finnegan struggled to meet demand, and used units sold for inflated prices.