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Superfruit (often stylized as SUP3RFRUIT) is an American musical and comedy duo consisting of Mitch Grassi and Scott Hoying, both known as members of the a cappella group Pentatonix.
Future Friends is the only studio album by American musical duo Superfruit.It was released on September 15, 2017 through RCA Records. [1] The album is the latter release in the duo's Future Friends series that includes two extended plays, one released on June 30, 2017, and another released concurrently with the album.
"Ex's & Oh's" is a blues rock, [4] [5] pop rock [4] and alternative rock [6] song with elements of Southern rock, and a swing beat. [7] [8] The song was written by Elle King with the song's producer, Dave Bassett, and King credits him with helping her shape the sound of the album. [9]
The lyrics of "Get Him Back!" explore Rodrigo's desire to exact revenge towards her ex-partner while simultaneously wanting to reconcile with him; [47] [48] the titular phrase conveys this through its double meaning. [35] [49] The song's verses consist of personal details about the relationship. [50]
In terms of the lyrics, the meaning of the title has been described as: "It's when you tell a guy to pull up, and also when you swerve him anyway — he wants to fuck with you but you've got him stuck. SkeeYee is the baddest bitch showing up to the club, single-handedly turning the party, and the sound of the jewelry on her wrist." [6]
The Guy kills the demonic workers, with the final demonic businessman being thrown out a window into a passing helicopter. Over the course of the video, a family is depicted watching television news and violent cartoons and changing into the same feral demons that were in the master control room.
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"Loving You Has Made Me Bananas" is a 1968 hit novelty song composed and performed by Guy Marks.It parodies broadcasts of the big band era with absurd lyrics. [1]It was first released in 1968 on ABC Records as a single with "Forgive Me My Love" on the B-side, [2] some two years after "Winchester Cathedral" had triggered a revival of this musical form that had fallen out of fashion in the 1950s.