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An artist working on a watercolor using a round brush Love's Messenger, an 1885 watercolor and tempera by Marie Spartali Stillman. Watercolor (American English) or watercolour (Commonwealth English; see spelling differences), also aquarelle (French:; from Italian diminutive of Latin aqua 'water'), [1] is a painting method [2] in which the paints are made of pigments suspended in a water-based ...
Schwabe created an important watercolor that was the model of a lithographic poster for the 1892 Salon de la Rose + Croix, the first of six exhibitions organized by Joséphin Péladan that demonstrated the Rosicrucian tendencies of French Symbolism. Schwabe's poster depicted in shades of blue an initiation rite—three women ascending toward ...
The Annual "Open Water" show, open to all artists, continues to be the focus of the Society's work, which can be hosted anywhere in the country. The most prestigious award is the " A. J. Casson Award ", a commissioned medal created by the distinguished Canadian sculptor Dora de Pédery-Hunt , given "for outstanding achievement in watercolour ...
Nita Engle (September 30, 1925 – August 29, 2019) was an American watercolorist. [1] She worked as an art director and magazine illustrator and exhibited in and out of the United States.
Randolph Schwabe (9 May 1885 – 19 September 1948) was a British draughtsman, painter and etcher. He was the Slade Professor of Fine Art at University College London from 1930 until 1948. [ 1 ] He served as a war artist in both World Wars, created designs for theatrical productions and illustrated a number of books.
The Golden Age of the Piano refers to a "golden age" extending from the 19th century to the beginning of the 20th century during which composing and performance on the piano achieved notable heights; [1] or to the decades between roughly 1890 and 1920, in which pianos were manufactured and sold in great quantities, particularly in the United States.
The F-A-E Sonata, a four-movement work for violin and piano, is a collaborative musical work by three composers: Robert Schumann, the young Johannes Brahms, and Schumann's pupil Albert Dietrich. It was composed in Düsseldorf in October 1853.
The story of how the variations came to be composed comes from an early biography of Bach by Johann Nikolaus Forkel: [1] [For this work] we have to thank the instigation of the former Russian ambassador to the electoral court of Saxony, Count Kaiserling, who often stopped in Leipzig and brought there with him the aforementioned Goldberg, in order to have him given musical instruction by Bach.