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Gatherings of more than ten people were also declared illegal. As a result, a mass exodus was created of jazz musicians leaving South Africa seeking work. Among these were pianist Abdullah Ibrahim, his wife and jazz vocalist Sathima Bea Benjamin, trumpeter Hugh Masekela, and vocalist Miriam Makeba. [1] For some, the move proved to be fortuitous.
The Cape Town International Jazz Festival started in 2000 [1] [8] as part of the North Sea Jazz Festival. This was part of an arrangement that came about as a result of the partnership between espAfrika (a South African events management company founded by Rashid Lombard) and Mojo Concerts BV, the founders of the Dutch North Sea Jazz Festival. [2]
The African Jazz Pioneers trace their origins back to the 1950s, an era when jazz thrived, and big bands dominated South Africa’s music scene. The band was founded in the 1980s by Her Excellency Queeneth Ndaba, who envisioned reviving the vibrant 1950s and 1960s South African jazz scene. Her mission was to recreate the joy and energy of that ...
Cape jazz is a genre of jazz that is performed in the very southern part of Africa, the name being a reference to Cape Town, South Africa.Some writers say that Cape jazz began to emerge in 1959 with the formation of The Jazz Epistles, many of whom were from Cape Town, [1] including Abdullah Ibrahim, then known as Dollar Brand.
During this period in the early 20th century, American jazz was introduced on South African radios, and it became the most popular style of music in the urban areas of South Africa. The biggest consumer of jazz music was the newly black urban class in these shebeens based on the slums of South Africa.
Hugh Ramapolo Masekela (4 April 1939 – 23 January 2018) [1] was a South African trumpeter, flugelhornist, cornetist, singer and composer who was described as "the father of South African jazz". Masekela was known for his jazz compositions and for writing well-known anti-apartheid songs such as "Soweto Blues" and "Bring Him Back Home".
Fifty years ago today, 18-year-old Vera Brandes organized a concert for jazz pianist Keith Jarrett in Cologne, West Germany, which went on to make music history: a recording of the concert became ...
The Jazz Epistles were South Africa's first important (albeit short-lived) bebop band. Inspired by Art Blakey's Jazz Messengers, its members included Dollar Brand (later known as Abdullah Ibrahim) on piano, Kippie Moeketsi on alto saxophone, Jonas Gwangwa on trombone, Hugh Masekela on trumpet, Johnny Gertze on bass, and Early Mabuza or Makaya Ntshoko on drums.