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Sonia Delaunay (French: [sɔnja dəlonɛ]; 14 November 1885 – 5 December 1979) was a French artist born to Jewish parents, who spent most of her working life in Paris.She was born in the Russian Empire, now Ukraine, and was formally trained in Russia and Germany, before moving to France and expanding her practice to include textile, fashion, and set design.
La prose du Transsibérien et de la Petite Jehanne de France (Prose of the Trans-Siberian and of Little Jehanne of France) is a collaborative artists' book by Blaise Cendrars and Sonia Delaunay-Terk. The book features a poem by Cendrars about a journey through Russia on the Trans-Siberian Express in 1905, during the first Russian Revolution ...
Robert Delaunay (French: [ʁɔbɛʁ dəlonɛ]; 12 April 1885 – 25 October 1941) was a French artist of the School of Paris movement; [1] who, with his wife Sonia Delaunay and others, co-founded the Orphism art movement, noted for its use of strong colours and geometric shapes.
Robert Delaunay, 1907, Portrait of Wilhelm Uhde. Robert Delaunay and Sonia Terk met through Wilhelm Uhde, with whom Sonia had been married as she said for "convenience" Born into a Jewish family, [1] Uhde studied law in Dresden but switched to art history, studying in Munich and Florence before moving to Paris in 1904.
Delaunay took inspiration of a photograph that he saw in a magazine of a rugby game for the painting series of which this was the second made. [2] The painting depicts a game where a rugby team from Cardiff, in Wales, is participating, facing an unnamed adversary, possibly a French team. Six rugby players are shown in the lower part of the work ...
Robert Delaunay and his wife Sonia Delaunay-Terk had painted a series of oil paintings of sunlight and moonlight in the summer of 1913 in Louveciennes, which made up a large part of his 21 works here, with which Orphism also influenced Macke and Marc, while Sonja also had book covers, lamps and textiles among her 26 objects, in addition to ...
Robert and Sonia Delaunay where at the resort of San Sebastián, in Spain, when the First World War overtook them by surprise. They remained in Spain , staying for some months in Madrid . They decided to move to Portugal , settling in the northern village of Vila do Conde , near Porto , where they lived from June 1915 to March 1916.
Louis Vauxcelles, in his review of the 26th Salon des Indépendants (1910), made a passing and imprecise reference to Metzinger, Gleizes, Delaunay, Léger and Le Fauconnier, as "ignorant geometers, reducing the human body, the site, to pallid cubes." [15] The work of Metzinger, Le Fauconnier and Robert Delaunay were exhibited together.