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A soulmate is a person with whom one feels a deep or natural affinity. [1] This affinity may involve similarity, love romance, comfort, ... Greek Mythology
In ancient Greek religion and mythology, the Moirai (/ ˈ m ɔɪ r aɪ,-r iː /)—often known in English as the Fates—were the personifications of destiny. They were three sisters: Clotho (the spinner), Lachesis (the allotter), and Atropos (the inevitable, a metaphor for death).
In classical mythology, Cupid / ˈ k j uː p ɪ d / (Latin: Cupīdō [kʊˈpiːdoː], meaning "passionate desire") is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the god of war Mars. He is also known as Amor / ˈ ɑː m ɔːr / (Latin: Amor, "love"). His Greek ...
This is an index of lists of mythological figures from ancient Greek religion and mythology. List of Greek deities; List of mortals in Greek mythology; List of Greek legendary creatures; List of minor Greek mythological figures; List of Trojan War characters; List of deified people in Greek mythology; List of Homeric characters
In Greek mythology, Anteros (/ ˈ æ n t ə r ɒ s /; [1] Ancient Greek: Ἀντέρως, romanized: Antérōs) is the god of requited love (literally "love returned" or "counter-love") and also the punisher of those who scorn love and the advances of others, or the avenger of unrequited love. [2] He is one of the Erotes.
The name Psyche means "soul" in Greek [5] and was commonly referred to as such in Roman mythology as well, though the direct translation is Anima (Latin word for "soul"). [6] She was born a mortal woman and eventually granted immortality, with beauty that rivaled even Aphrodite, goddess of love. [7]
Eurydice (/ j ʊəˈr ɪ d ɪ s iː /; Ancient Greek: Εὐρυδίκη 'wide justice', classical pronunciation: [eu̯.ry.dí.kɛː]) was a character in Greek mythology and the Auloniad wife of Orpheus, whom Orpheus tried to bring back from the dead with his enchanting music.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.