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The Ashtamangala (Sanskrit: अष्टमङ्गल, romanized: Aṣṭamaṅgala) is the sacred set of Eight Auspicious Signs (Chinese: 八吉祥, bajixiang) featured in a number of Indian religions such as Hinduism, Jainism, and Buddhism. The symbols or "symbolic attributes" (Tibetan: ཕྱག་མཚན་, THL: chaktsen) are yidam and ...
The endless knot or eternal knot is a symbolic knot and one of the Eight Auspicious Symbols. It is an important symbol in Hinduism, Jainism and Buddhism. It is an important cultural marker in places significantly influenced by Tibetan Buddhism such as Tibet, Mongolia, Tuva, Kalmykia, and Buryatia. It is also found in Celtic, Kazakh and Chinese ...
The Gankyil (Tibetan: དགའ་འཁྱིལ།, [1] Lhasa [kã˥ kʲʰiː˥]) or "wheel of joy" (Sanskrit: ānanda-cakra) is a symbol and ritual tool used in Tibetan and East Asian Buddhism. It is composed of three (sometimes two or four) swirling and interconnected blades.
The Emblem of Tibet is a symbol of the Tibetan government in exile. It combines several elements of the flag of Tibet , with slightly different artistry, and contains many Buddhist symbols . Its primary elements are the sun and moon above the Himalayas , which represent Tibet , often known as the Land Surrounded by Snow Mountains .
In Tibetan Buddhism, the Three Jewels and Three Roots are supports in which a Buddhist takes refuge by means of a prayer or recitation at the beginning of the day or of a practice session. The Three Jewels are the first and the Three Roots are the second set of three Tibetan Buddhist refuge formulations, the Outer , Inner and Secret forms of ...
In the Bön and Vajrayana Buddhist traditions, a namkha is constructed as the temporary dwelling for a deity during ritual practice. The structure of the namkha is traditionally made with colored threads symbolic of the elements (blue, green, red, white, and yellow; space, air, fire, water, and earth respectively ), the sequence, and the shape ...
The wind horse is a flying horse that is the symbol of the human soul in the shamanistic tradition of East Asia and Central Asia.In Tibetan Buddhism, it was included as the pivotal element in the center of the four animals symbolizing the cardinal directions and a symbol of the idea of well-being or good fortune.
Heruka in Yab-Yum form. On display at Gangaramaya Temple museum Tibetan book cover depicting Prajñāpāramitā Devi and Mañjuśrī in yab yum, late 13th century. Yab-yum (Tibetan: ཡབ་ཡུམ། literally, "father-mother") is a common symbol in the Tibetan Buddhist art of India, Bhutan, Nepal, and Tibet.