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The value of 5 1 ⁄ 8 · 35 1 ⁄ 3 is very close to 4, which is why a 7-limit interval 6144 : 6125 (which is the difference between the 5-limit diesis 128 : 125 and the septimal diesis 49 : 48), equal to 5.362 cents, appears very close to the quarter-comma ( 81 / 80 ) 1 ⁄ 4 of 5.377 cents.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
The 6-step. The 6-step is foundational to b-boying not only because it is the first footwork sequence breakers often learn, but also because it remains the move around which many sets are structured. Many break moves can begin from the 6-step. The move sets up the direction of rotation and builds momentum while imparting body control. The ...
In other words, it is the interval between two consecutive scale degrees. Any larger interval is called a skip (also called a leap), or disjunct motion. [1] In the diatonic scale, a step is either a minor second (sometimes also called half step) or a major second (sometimes also called whole step), with all intervals of a minor third or larger ...
The name "meantone temperament" derives from the fact that in all such temperaments the size of the whole tone, within the diatonic scale, is somewhere between the major and minor tones (9:8 and 10:9 respectively) of just intonation, which differ from each other by a syntonic comma.
Robert J. Marzano is an educational researcher in the United States. He has done educational research and theory on the topics of standards-based assessment , cognition, high-yield teaching strategies, and school leadership, including the development of practical programs and tools for teachers and administrators in K–12 schools.
Laban movement analysis (LMA), sometimes Laban/Bartenieff movement analysis, is a method and language for describing, visualizing, interpreting and documenting human movement.
Another major sixth is the 12:7 septimal major sixth or supermajor sixth, the inversion of the septimal minor third, of approximately 933 cents. [4] The septimal major sixth (12/7) is approximated in 53-tone equal temperament by an interval of 41 steps, giving an actual frequency ratio of the (41/53) root of 2 over 1, approximately 928 cents.