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Poems in the romance form may be as few as ten verses long, and may extend to over 1,000 verses. They may constitute either epics or erudite romances juglarescos (from the Spanish word whose modern meaning is " juggler "; compare the French jongleur , which can also refer to a minstrel as well as a juggler).
Romanticism came to Spain through Andalusia and Catalonia.. In Andalucía, the Prussian consul in Cádiz, Juan Nicolás Böhl de Faber, father of novelist Fernán Caballero, published a series of articles between 1818 and 1819 in the Diario Mercantil (Mercantile Daily) of Cádiz, in which he defended Spanish theatre of the Siglo de Oro, and was widely attacked by the neo-Classicists.
Such poems are of a discussion nature, such as Elena y María and Reason to Love. Hagiographic poems include Life of St. María Egipciaca and Book of the Three Wise Men. Mature works, like The Book of Good Love and Rhyming Book of the Palace, were not included in the genre until the 14th century. [3]
Gheorghe Asachi (poet, short story writer, playwright) Dimitrie Bolintineanu (poet) Cezar Bolliac (poet) George Coşbuc (poet) Dora d'Istria (essayist, travel writer) Mihai Eminescu (a Romantic for part of his career; poet, short story writer, essayist) Nicolae Filimon (novelist and short story writer) Ion Ghica (essayist and memoirist) Andrei ...
Twenty Love Poems and a Song of Despair (Spanish: Veinte poemas de amor y una canción desesperada) is a poetry collection by the Chilean poet Pablo Neruda. Published in June 1924, the book launched Neruda to fame at the young age of 19 and is one of the most renowned literary works of the 20th century in the Spanish language.
In this as in other poems, the poet turns his wife's body into a mythic symbol of desperation and hope, of regenerative power desperately needed in a broken Spain. In July 2010 the poet's family filed a lawsuit in the Spanish Supreme Court in which they asked for his guilty verdict (for his supposed crime of left wing sympathies), to be annulled.
A romancero is a collection of Spanish romances, a type of folk ballad (sung narrative). The romancero is the entire corpus of such ballads. As a distinct body of literature they borrow themes such as war, honour, aristocracy and heroism from epic poetry, especially the medieval cantar de gesta and chivalric romance, and they often have a pretense of historicity.
The Jarchas, dating from the 9th to the 12th centuries C.E., were short poems spoken in local colloquial Hispano-Romance dialects, known as Mozarabic, but written in Arabic script. The Jarchas appeared at the end of longer poetry written in Arabic or Hebrew known as muwashshah , which were lengthy glosses on the ideas expressed in the jarchas.