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A kulliyyāt (from Arabic: كلّيّات kulliyyāt; Persian: کلیات kolliyyât; Azerbaijani: külliyyat; Urdu: کلیات; Uzbek: kulliyat) is a collection of the poetry of any one poet. Cover of the 1872 translation of the works of Mirza Muhammad Rafi Sauda (1713–1781) Kulliyat is one of the principal collection forms of Urdu poetry ...
The first Urdu translation of the Kural text was by Hazrat Suhrawardy, a professor of Urdu Department of Jamal Mohammad College, Tiruchirappalli. [1] It was published by Sahitya Academy in 1965, with a reprint in 1994. The translation is in prose and is not a direct translation from Tamil but based on English translations of the original.
Musaddas (Urdu: مسدس) is a genre of Urdu poetry in which each unit consists of 6 lines-sestain- (misra). Famous early writers employing this form are Mir Anis and Dabeer. Maulana Altaf Husain Hali and Waheed Akhtar are other well-known poets to find expression in this form of poetry. Particularly iconic is Hali's Madd-o-Jazr-e-Islam as an ...
Akhlaq Mohammad Khan (16 June 1936 – 13 February 2012), better known by his takhallus Shahryar, was an Indian academic, and a doyen of Urdu poetry in India. [1] [2] As a Hindi film lyricist, he is best known for his lyrics in Gaman (1978) and Umrao Jaan (1981) directed by Muzaffar Ali.
It is the most comprehensive, detailed and thick dictionary in the history of Urdu language. [ citation needed ] It is published by the Urdu Lughat Board, Karachi. The dictionary was edited by the honorary director general of the board Maulvi Abdul Haq who had already been working on an Urdu dictionary since the establishment of the Urdu ...
Deccani literature (Urdu: ادبیات دكهنى, “Adbiyāt-i-DakhNi Urdū”) is the literature produced in the Deccani dialect of the Urdu language. [1] The earliest forms of Deccani literature are in the form of Sufi and Bhakti texts with poetic genres. [1]
Maut Ka Manzar maa Marnay Ke Baad Kya Hoga (Urdu: موت کا منظر مع مرنے کے بعد کیا ہو گا) is a 1973 Urdu Islamic book by Khawaja Muhammad Islam. [1] The book has been translated into several languages, including English under the title The Spectacle of Death and Glimpses of Life Hereafter .
The title of his Urdu column is "Talkh Nawai", which translates to "bitter discourse". Veteran Urdu columnist Rauf Klasra in his preface to "Talkh Nawai" notes that Izhar ul Haq's command and mastery over classical literature is equally impressive whether it is Urdu, English, or Persian, and he has the ability to effectively use his literary ...