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The boar was a symbol of war. Tacitus tells us that the Aesti (a Germanic or Celtic tribe) wore boar symbols into battle. On the Celtic Gundestrup cauldron, soldiers wear boar crested helmets. The Roman Legion XX, stationed in Chester, adopted the boar as an emblem. It was also a symbol of the hunt. Celtic hunter-gods depicted with boar imagery ...
The Celts of the ancient world believed that many spirits and divine beings inhabited the world around them, and that humans could establish a rapport with these beings. [2]: 196 The archaeological and the literary record indicate that ritual practice in Celtic societies lacked a clear distinction between the sacred and profane; rituals, offerings, and correct behaviour maintained a balance ...
Celtic Religion in Pre-Christian Times. Andover-Harvard Theological Library. Arenas-Esteban, J. Alberto (2010). Celtic religion across space and time: fontes epigraphici religionvm celticarvm antiqvarvm. Toledo: Junta de Comunidades de Castilla-La Mancha. ISBN 978-84-7788-589-4. de Bernardo Stempel, Patrizia (2003). "Die sprachliche Analyse ...
Cernunnos on the Gundestrup cauldron (plate A). He sits cross-legged, wielding a torc in one hand and a ram-horned serpent in the other. Cernunnos is a Celtic god whose name is only clearly attested once, on the 1st-century CE Pillar of the Boatmen from Paris, where it is associated with an image of an aged, antlered figure with torcs around his horns.
Celtic mythology is the body of myths belonging to the Celtic peoples. [1] Like other Iron Age Europeans, Celtic peoples followed a polytheistic religion , having many gods and goddesses. The mythologies of continental Celtic peoples, such as the Gauls and Celtiberians , did not survive their conquest by the Roman Empire , the loss of their ...
Typically, Celtic art is ornamental, avoiding straight lines and only occasionally using symmetry, without the imitation of nature central to the classical tradition, often involving complex symbolism. Celtic art has used a variety of styles and has shown influences from other cultures in their knotwork, spirals, key patterns, lettering ...
The etymology of the Scots word kelpie is uncertain, but it may be derived from the Gaelic calpa or cailpeach, meaning "heifer" or "colt".The first recorded use of the term to describe a mythological creature, then spelled kaelpie, appears in the manuscript of an ode by William Collins, composed some time before 1759 [2] and reproduced in the Transactions of the Royal Society of Edinburgh of ...
The Horses of Neptune, illustration by Walter Crane, 1893.. Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.