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German gaming magazine PC Games gave an overall score of 80%. [10] Finnish gaming magazine MikroBitti gave Inferno an exceptionally high score of 97%, and named the game a Bit Hit. [8] PC Gamer gave an overall score of 73%, and praised Inferno's gameplay due to its 'sense of scale', variety, and fast-paced action.
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The Gates of Hell (French: La Porte de l'Enfer) is a monumental bronze sculptural group work by French artist Auguste Rodin that depicts a scene from the Inferno, the first section of Dante Alighieri's Divine Comedy. It stands at 6 metres high, 4 metres wide and 1 metre deep (19.7×13.1×3.3 ft) and contains 180 figures.
A computer screen showing a background wallpaper photo of the Palace of Versailles. A wallpaper or background (also known as a desktop background, desktop picture or desktop image on computers) is a digital image (photo, drawing etc.) used as a decorative background of a graphical user interface on the screen of a computer, smartphone or other electronic device.
Inferno, also known by its filename de_inferno, is a multiplayer map in the Counter-Strike series of first-person shooter video games by Valve Corporation.The map was first created for the original Counter-Strike in a 2001 update and has subsequently appeared in each series entry.
Video games set in hell, a location or state in the afterlife in which evil souls are subjected to punitive suffering, most often through torture, as eternal punishment after death.
Infernal: Hell's Vengeance received "unfavourable" reviews according to the review aggregation website Metacritic. [16] In Japan, where the game was ported and published by Russel on 24 December 2009, Famitsu gave it a score of one six, one seven, one six, and one five for a total of 24 out of 40, [18] while Famitsu Xbox 360 gave it a score of one six, one seven, and two sixes for a total of ...
Auguste Rodin was commissioned to make a pair of bronze doors to symbolize the gates of hell. He received the commission on August 20, 1880, for a new art museum in Paris, to exhibit at the 1889 Exposition Universelle, which ultimately did not open; however in 1900, some of them were part of his first solo exhibition in Paris.