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The Gates of Hell (French: La Porte de l'Enfer) is a monumental bronze sculptural group work by French artist Auguste Rodin that depicts a scene from the Inferno, the first section of Dante Alighieri's Divine Comedy. It stands at 6 metres high, 4 metres wide and 1 metre deep (19.7×13.1×3.3 ft) and contains 180 figures.
Auguste Rodin was commissioned to make a pair of bronze doors to symbolize the gates of hell. He received the commission on August 20, 1880, for a new art museum in Paris, to exhibit at the 1889 Exposition Universelle, which ultimately did not open; however in 1900, some of them were part of his first solo exhibition in Paris.
In the first volume, Inferno, of The Divine Comedy, Dante and Virgil meet Francesca and her lover Paolo in the second circle of hell, reserved for the lustful. Da Rimini's father had forced her to marry the lame Giovanni Malatesta for political reasons, but she fell in love with Giovanni's brother Paolo.
Dante's_Inferno_(1911).webm (WebM audio/video file, VP8, length 1 h 2 min 36 s, 480 × 360 pixels, 731 kbps overall, file size: 327.29 MB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Giacomo della Porta (1533–1602) was an Italian architect and sculptor. [1] Most likely born in Genoa or Porlezza , Italy, his work was inspired by famous Renaissance artists such as Michelangelo and Giacomo Barozzi da Vignola . [ 1 ]
Central Arch with tympanum and columns. The Portico of Glory (Galician: Pórtico da Gloria) of Santiago de Compostela Cathedral is a Romanesque portico and the cathedral's main gate created by Master Mateo and his workshop, on the orders of King Ferdinand II of León.
Engraving by Baldini after Botticelli, from the 1481 book. The drawings in the manuscript were not the first to be created by Botticelli for the Divine Comedy.He also illustrated another Commedia, this time a printed edition with engravings as illustrations, that was published by Nicholo di Lorenzo della Magna in Florence in 1481, and is mentioned by Vasari.