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The 13th-century book Ajā'ib al-makhlūqāt wa gharā'ib al-mawjūdāt (The Wonders of Creation) by Zakariya al-Qazwini describes Islamic angelology, and is often illustrated with many images of angels. The angels are typically depicted with bright, vivid colors, giving them unusual liveliness and other-worldly translucence. [23]
The angel who rescues Shadrach, Meshach, and Abednego from the "fiery furnace" in the Book of Daniel Chapter 3 is usually regarded in Christian tradition as Michael; this is sometimes represented in Early Christian art and Eastern Orthodox icons, but rarely in later art of the Western church.
The iconic image of the Hand of God giving life to Adam. The Sistine Chapel ceiling, painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance.
Archangel Raziel (Circle of Francisco de Zurbarán), circa 1650.. Raziel, (Hebrew: רָזִיאֵל Rāzīʾēl, "God is my Mystery") also known as Gallitsur (Hebrew: גַּלִּיצוּר Gallīṣūr) [1] is an angel within the teachings of Jewish mysticism (of the Kabbalah of Judaism) who is the "Angel of Secrets" and the "Angel of Mysteries”.
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[115] The 13th century book Ajā'ib al-makhlūqāt wa gharā'ib al-mawjūdāt (The Wonders of Creation) by Zakariya al-Qazwini describes Islamic angelology, and is often illustrated with many images of angels. The angels are typically depicted with bright, vivid colors, giving them unusual liveliness and other-worldly translucence. [116]
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According to al-Basri, angels are infallible. [7] Thus, he argues, Satan could not have been an angel. [8] Instead, the verse is supposed to mean that Satan is one of the jinn, distinct from the angels. [2] According to ibn Abbas, the term is interpreted as jinān, meaning that Satan was "an inhabitant of paradise" (i.e. an angel). [9]