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Evening dress and evening glove by Dior, silk taffeta, 1954. Indianapolis Museum of Art. Natalie Wood (center, with Tab Hunter) and Louella Parsons wear ballerina-length evening dresses at the Academy Awards, 1956. With his revolutionary New Look, Christian Dior wrote a new chapter in the history of fashion.
In 2010, a record price of £719,000 was achieved at Christie's for a unique seven-foot-high print of model Dovima, posing in a Christian Dior evening dress with elephants from the Cirque d’Hiver, Paris, in 1955. This particular print, the largest of this image, was made in 1978 for Avedon's fashion retrospective at the Metropolitan Museum of ...
Even though daywear dresses were influenced by the war, evening dresses remained glamorous. Women's undergarments became the soul of fashion in the 1940s [6] because it maintained the critical hourglass shape with smooth lines. Clothes became utilitarian. Pants or trousers were considered a menswear item only until the 1940s. [6]
[60] [61] Both as Queen, and as the Queen Mother, Elizabeth adopted the traditional bell-shaped crinoline as her signature look for evening wear and state occasions. [62] The film Gone with the Wind, released in 1939, inspired the American fashion for prom dresses with crinolines in Spring 1940. [63] Dior evening gown and crinoline petticoat, 1954
English: Christian Dior evening ensemble, "Zémire," H Line, Fall-Winter 1954. Red cellulose acetate satin. Ballgown skirt, separate bodice, long jacket, and petticoat with white boned corset bodice and red crinoline skirt.
[3] [7] This was Dior's intention, as he aimed to "mark a departure" from the simplistic fashions of wartime years. [7] The raffia elements were in line with trends of the 1950s, with the dress embodying Dior's New Look, which reintroduced feminine features and voluminous skirts in a post-World War II era.