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The first three feet in both lines are dactyls. Another example is the opening lines of Walt Whitman's poem "Out of the Cradle Endlessly Rocking" (1859), a poem about the birth of the author's poetic voice: Out of the cradle, endlessly rocking [a dactyl, followed by a trochee ('cradle'); then another dactyl followed by a trochee ('rocking')]
The poem also may be read to consist of straightforward iambic verse that relies on common metrical devices such as elision, acephalous lines, promotion, and metrical inversion. [7] Lines 1, 2, 3, 5, and 8 of each stanza are iambic pentameter ; lines 4, 6, and 7 are iambic tetrameter .
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
The "dactyl," as a foot, is — u u; the name comes from the Greek for "finger," because it looks like the three bones of a finger, going outward from the palm. The principal colon of dactylic verse is the " hemiepes " or "half-epic" colon, — u u — u u — (sometimes abbreviated D).
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention.
The poem concludes with the line "I have wasted my life." The line is one of the most highly regarded and widely debated lines in contemporary poetry, [2] [1] and has often been seen as having had cemented Wright's poetic legacy. [3] The line has been widely interpreted.
"In The Bazaars of Hyderabad" is a poem by Indian Romanticism and Lyric poet Sarojini Naidu (1879–1949). The work was composed and published in her anthology The Bird of Time (1912)—which included "Bangle-sellers" and "The Bird of Time", it is Naidu's second publication and most strongly nationalist book of poems, published from both London and New York City.
In this version of the metre as in the poems above, each line has two halves: the first half has four syllables (sometimes 5), while the second half has seven (sometimes 6); in the first half there are two stresses and in the second half three. In some places the final weak vowel -e is ignored, e.g. nostr(e) emperere.