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Hamlet and His Problems" is an essay written by T. S. Eliot in 1919 that offers a critical reading of Hamlet. The essay first appeared in Eliot's The Sacred Wood: Essays on Poetry and Criticism in 1920. It was later reprinted by Faber & Faber in 1932 in Selected Essays, 1917-1932. [1]
Later critics of the century, such as T. S. Eliot in his noted essay "Hamlet and His Problems", downplayed such psychological emphasis of the play, and instead used other methods to read characters in the play, focusing on minor characters such as Gertrude, and seeing what they reveal about Hamlet's decisions.
Helping define the objective correlative, Eliot's essay "Hamlet and His Problems", [1] republished in his book The Sacred Wood: Essays on Poetry and Criticism discusses his view of Shakespeare's incomplete development of Hamlet's emotions in the play Hamlet. Eliot uses Lady Macbeth's state of mind as an example of the successful objective ...
Another essay found in Selected Essays relates to this notion of the impersonal poet. In "Hamlet and His Problems" Eliot presents the phrase "objective correlative." The theory is that the expression of emotion in art can be achieved by a specific, and almost formulaic, prescription of a set of objects, including events and situations.
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
The Common Liar - An Essay on Antony and Cleopatra (New Haven: Yale University Press, 1973), 235 pp. Creation and the Place of the Poet in Paradise Lost, in The Author in His Work: Essays on a Problem in Criticism, ed Louis L. Martz and Aubrey Williams (New Haven: Yale University Press, 1978), pp. 51–69.
Hamlet has played "a relatively small role" [7] in the appropriation of Shakespeare's plays by women writers, ranging from Ophelia, The Fair Rose of Elsinore in Mary Cowden Clarke's 1852 The Girlhood of Shakespeare's Heroines, to Margaret Atwood's 1994 Gertrude Talks Back—in her 1994 collection of short stories Good Bones and Simple Murders ...
Hamlet and Oedipus is a study of William Shakespeare's Hamlet in which the title character's inexplicable behaviours are subjected to investigation along psychoanalytic lines. [ 1 ]