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Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
The tenor saxophone became best known to the general public through its frequent use in jazz music. It was the pioneering genius of Coleman Hawkins in the 1930s that lifted the tenor saxophone from its traditional role of adding weight to the ensemble and established it as a highly effective melody instrument in its own right. Many innovative ...
Octet, Harold Mabern (piano), Ray Drummond (bass), George Coleman Jr. (drums), Jim Rotondi (trumpet), Adam Brenner (alto sax), Ned Otter (tenor sax), Gary Smulyan (baritone sax), with Daniel Sadownick (percussion) added on several tracks 1998 I Could Write a Book: The Music of Richard Rodgers: Telarc
I'll See You In My Dreams by J.Grandgagnage on tenor sax Sheet music cover, 1924 "I'll See You in My Dreams" is a popular song and jazz standard, composed by Isham Jones, with lyrics by Gus Kahn, and published in 1924. It was recorded on December 4 that year, by Isham Jones conducting Ray Miller's Orchestra.
Frank Wright (July 9, 1935 – May 17, 1990) [1] was an American free jazz musician, known for his frantic style of playing the tenor saxophone.Critics often compare his music to that of Albert Ayler, although Wright "offers his honks and squawks with a phraseology derived from the slower, earthier funk of R&B and gospel music."
Houston Person (born November 10, 1934) is an American jazz tenor saxophonist and record producer. Although he has performed in the hard bop and swing genres, he is most experienced in and best known for his work in soul jazz. He received the "Eubie Blake Jazz Award" in 1982.
Pages in category "Free jazz saxophonists" The following 38 pages are in this category, out of 38 total. This list may not reflect recent changes. A. Kaoru Abe;
Solo de concert No. 4, Opus 84 for Tenor Saxophone and Piano (1862)—Jean-Baptiste Singelée; Solo de concert No. 6, Opus 92 for Tenor Saxophone and Piano (1863)—Jean-Baptiste Singelée; Premier Solo andante et bolero for tenor saxophone and piano (1866)—Jules Demersseman; Brasiliana No. 7 for Tenor Saxophone and Piano (1956)—Radamés ...