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Canadian fiddle is the aggregate body of tunes, styles and musicians engaging the traditional folk music of Canada on the fiddle. It is an integral extension of the Anglo-Celtic and Québécois French [ 1 ] folk music tradition but has distinct features found only in the Western hemisphere.
Bill Hensley, Mountain Fiddler, Asheville, North Carolina. Old time (also spelled old-time or oldtime) fiddle is the style of American fiddling found in old-time music.Old time fiddle tunes are derived from European folk dance forms such as the jig, reel, breakdown, schottische, waltz, two-step, and polka.
The percussive use of footwork, however, is not limited to the First Nations musicians. Fiddle music, in general, lends itself well to group playing and percussive use of feet and hands, as in the performance of La Turlette at Kyneton, central Victoria, where the Celtic Southern Cross Summer School produced this ethnomusicologically notable ...
The difference was likely compounded by the different sounds expected of violin music and fiddle music. Historically, the majority of fiddle music was dance music, [3] while violin music had either grown out of dance music or was something else entirely. Violin music came to value a smoothness that fiddling, with its dance-driven clear beat ...
For instance, partitas have been popular with fiddle players, particularly since publication of the Open House CD by Kevin Burke, an Irish style player based in Portland, Oregon. Fiddles are typically associated with country and other genres of popular music while violins are usually associated with classical and other genres of art music.
Canadian Fiddler Matthew Johnson also recognized the difference in atmosphere between the Canadian Grand Masters and other fiddle contests, noting the Grand Masters is more professional, with former president of CGMFA Bruce Cummings saying that the atmosphere is different largely due to its invitational nature, theatre venue, and structure. [10]
Cajun fiddle music is a part of the American fiddle music canon. It is derived from the music of southwest Louisiana and southeast Texas, as well as sharing repertoire from the Quebec and Cape Breton Island traditions. [1] It is one of the few extant North American folk music traditions rooted in French chanson. [2]
Siân Phillips is a Welsh fiddle player specialising in Welsh folk and fiddle music. [1]Born in South Wales and raised primarily in Aberaeron, Ceredigion, she gained her knowledge of Welsh folk music from playing with several folk dance groups.