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The Northern Renaissance was the Renaissance that occurred in Europe north of the Alps.From the last years of the 15th century, its Renaissance spread around Europe. Called the Northern Renaissance because it occurred north of the Italian Renaissance, this period became the German, French, English, Low Countries and Polish Renaissances, and in turn created other national and localized ...
The Renaissance in the Low Countries was a cultural period in the Northern Renaissance that took place in around the 16th century in the Low Countries (corresponding to modern-day Belgium, the Netherlands and French Flanders).
Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. [1] It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium.
The German Renaissance, part of the Northern Renaissance, was a cultural and artistic movement that spread among German thinkers in the 15th and 16th centuries, which developed from the Italian Renaissance.
Renaissance humanism came much later to Germany and Northern Europe in general than to Italy, and when it did, it encountered some resistance from the scholastic theology which reigned at the universities. Humanism may be dated from the invention of the printing press about 1450.
Through his vast number of translations, books, essays, prayers and letters, he is considered one of the most influential thinkers of the Northern Renaissance and one of the major figures of Dutch and Western culture. [1] [2] Erasmus was an important figure in classical scholarship who wrote in a spontaneous, copious and natural Latin style.
Robert Campin (c. 1375 – 26 April 1444), now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), [1] was a master painter who, along with Jan van Eyck, initiated the development of early Netherlandish painting, a key development in the early Northern Renaissance.
The two paintings that make up this diptych are both done in an Northern Renaissance style and are the last of Dürer's largescale works. [1] Each panel is 215 cm x 76 cm and features two figures standing in each panel. [2] Saints John and Peter are depicted in the left panel; the figures in the right panel are Saints Mark and Paul.