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Statius' primary models are Homer and the poems of the Epic Cycle which touch on the life of Achilles. In the opening of the Achilleid, Statius asks that his poem not stop with the death of Hector (nec in Hectore tracto sistere 1.6) as the Iliad does but that it continue through the whole Trojan cycle, invoking these two important models.
In Book I, the Wrath of Achilles first emerges in the Achilles-convoked meeting, between the Greek kings and the seer Calchas. King Agamemnon dishonours Chryses, the Trojan priest of Apollo, by refusing with a threat the restitution of his daughter, Chryseis—despite the proffered ransom of "gifts beyond count". [ 36 ]
Briseis, a woman captured in the sack of Lyrnessus, a small town in the territory of Troy, and awarded to Achilles as a prize. Agamemnon takes her from Achilles in Book 1 and Achilles withdraws from battle as a result. Chryseis, Chryses’ daughter, taken as a war prize by Agamemnon. Clymene, servant of Helen along with her mother Aethra.
The tales told in the Cycle are recounted by other ancient sources, [7] notably Virgil's Aeneid (book 2), which recounts the sack of Troy from a Trojan perspective, and Ovid's Metamorphoses (books 13–14), which describes the Greeks' landing at Troy (from the Cypria) and the judgment of Achilles' arms (Little Iliad).
In book 19 of the Iliad, Achilles makes a rousing speech to the Achaean soldiers. He publicly declares that he will ignore his anger with Agamemnon and return to battle. During his speech, Achilles says he wishes Briseis were dead, lamenting that she ever came between Agamemnon and himself. [12] This contrasts his own statements in book 9.
The shield's design as interpreted by Angelo Monticelli, from Le Costume Ancien ou Moderne, ca. 1820.. The shield of Achilles is the shield that Achilles uses in his fight with Hector, famously described in a passage in Book 18, lines 478–608 of Homer's Iliad.
The story of the persuasion of Achilles into battle is drawn from Homer's Iliad (perhaps in the translation by George Chapman), and from various medieval and Renaissance retellings, whereas the story of Troilus and Cressida is a medieval chivalric romance that is not part of Greek mythology.
Map of Homeric Greece. In the debate since antiquity over the Catalogue of Ships, the core questions have concerned the extent of historical credibility of the account, whether it was composed by Homer himself, to what extent it reflects a pre-Homeric document or memorized tradition, surviving perhaps in part from Mycenaean times, or whether it is a result of post-Homeric development. [2]