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The timpani is considerably older than other melodic percussion instruments, such as the marimba and xylophone. [citation needed] Music historians trace the instrument's history to ancient times when the drums were used in religious ceremonies. During the 13th century, timpani began to be used in pairs and were called Nakers, or Nakirs.
Walters Art Museum: Landscape: 18th century MuMa Museum of modern art André Malraux: Helmingham Dell. Vallon dans le parc de Helmingham: 1800s Department of Paintings of the Louvre: Vue de Salisbury: 1800s Department of Paintings of the Louvre: The White Horse: 1819 The Frick Collection: Salisbury Cathedral from the Bishop's Garden: 1800s ...
The ceremonial drums were intend to be used on horseback to announce the king's presence and to coordinate the guard at events of state. While they were seen as symbols of wealth and power in the 18th century, many such drums were eventually melted down for their silver. [1] [2] The drum's body (referred to as its kettle [3]) is cast from ...
18th-century painting stubs (304 P) Pages in category "18th-century paintings" The following 38 pages are in this category, out of 38 total.
Image from late 18th century, Valencia. Mozart and Haydn wrote many works for the timpani and even started putting it in their symphonies and other orchestral works. Ludwig van Beethoven revolutionized timpani music in the early 19th century. He not only wrote for drums tuned to intervals other than a fourth or fifth, but he gave a prominence ...
Fancy pictures are a sub-genre of genre paintings in 18th-century English art, featuring scenes of everyday life but with an imaginative or storytelling element, usually sentimental. The usage of the term varied, and there was often an overlap with the conversation piece , a type of group portrait showing the subjects engaged in some activity.
Some 750 paintings, or 40 percent of the entire collection, are exhibited in the gallery. They date from the 15th to the 18th centuries. Paintings from the 19th century onwards are displayed in the New Masters Gallery (Gemäldegalerie Neue Meister) in the Albertinum.
The next generation, between the 18th and 19th centuries, is that of the neoclassicists: Jacques-Louis David, considered the father of French Neoclassicism, a painter of historical paintings in a sober style, produced some etchings with a caricatured tone (English Government, 1793-1794; The Army of Jars, 1793-1794); [12] Pierre-Paul Prud'hon, who sporadically practiced printmaking, in intaglio ...