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Example of microphone positioning in a Decca Tree setup. A Decca Tree setup uses three omnidirectional microphones arranged in a "T" pattern outlining a triangle, often equilateral; the center microphone is mixed with the two spaced microphones to fill the "hole in the middle" in their imaging; it points the sound source.
The AKG C214 condenser microphone AKG S8X cartridge. AKG Acoustics (originally Akustische und Kino-Geräte Gesellschaft m.b.H., English: Acoustic and Cinema Equipment L.L.C.) is an acoustics engineering and manufacturing company. It was founded in 1947 by Rudolf Görike and Ernest Plass in Vienna, Austria.
The amount of accent signal that's introduced into the mix should sound natural relative to the overall pickup, and a good accent mic should only add presence to a solo passage and not stick out as separate, identifiable pickup. [6] [7] [8] Instrumental use of microphones has been developed by many experimental composers, musicians and sound ...
Akai; AKG; Astatic; AEA_Ribbon_Mics; Audio-Technica; Behringer; Beyerdynamic; Blue Microphones; Brauner; Brüel & Kjær; CAD Audio; Core Sound LLC; DJI; DPA ...
Boundary microphone (Audio-Technica ATM87R) A boundary microphone (or pressure zone microphone) is one or more small omnidirectional or cardioid condenser mic capsule(s) positioned near or flush with a boundary (surface) such as a floor, table, or wall. The capsule(s) is/are typically mounted in a flat plate or housing.
Typically, an array is made up of omnidirectional microphones, directional microphones, or a mix of omnidirectional and directional microphones distributed about the perimeter of a space, linked to a computer that records and interprets the results into a coherent form. Arrays may also be formed using numbers of very closely spaced microphones.
Two bi-directional AKG C414 microphones set up in a Blumlein pair. Blumlein pair is a stereo recording technique invented by Alan Blumlein for the creation of recordings that, upon replaying through headphones or loudspeakers, recreate the spatial characteristics of the recorded signal.
An omnidirectional (or nondirectional) microphone's response is generally considered to be a perfect sphere in three dimensions. In the real world, this is not the case. As with directional microphones, the polar pattern for an "omnidirectional" microphone is a function of frequency.