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The Middle Ages in art: a Pre-Raphaelite painting of a knight and a mythical seductress, the lamia (Lamia by John William Waterhouse, 1905). Medievalism is a system of belief and practice inspired by the Middle Ages of Europe, or by devotion to elements of that period, which have been expressed in areas such as architecture, literature, music, art, philosophy, scholarship, and various vehicles ...
King John II of France in a ceremony of "adoubement", early 15th century miniature. Accolade ceremonies have taken a variety of forms, including the tapping of the flat side of a knighting sword on the shoulders of a candidate (who is himself sometimes referred to as an accolade during the ceremony) [1] [6] or an embrace about the neck.
The earliest recorded instance of the word paladin in the English language dates to 1592, in Delia (Sonnet XLVI) by Samuel Daniel. [1] It entered English through the Middle French word paladin, which itself derived from the Latin palatinus, ultimately from the name of Palatine Hill — also translated as 'of the palace' in the Frankish title of Mayor of the Palace. [1]
The pas d'armes' or passage of arms was a type of chivalric hastilude that evolved in the late 14th century and remained popular through the 15th century. It involved a knight or group of knights (tenants or "holders") who would stake out a traveled spot, such as a bridge or city gate, and let it be known that any other knight who wished to pass (venants or "comers") must first fight, or be ...
This art had a larger impact in Europe, to which many artists probably returned after the collapse of the regime, influencing Italo-Byzantine painting there. The crusades were also important as a subject in Western art, mainly in illuminated luxury versions of the many histories that were popular reading with Western elites.
The Free Imperial Knights (German: Reichsritter, Latin: Eques imperii) were free nobles of the Holy Roman Empire, whose direct overlord was the Emperor. They were the remnants of the medieval free nobility ( edelfrei ) and the ministeriales .
On more than one occasion, the Order of Calatrava brought to the field a force of 1200 to 2000 knights – considerable in medieval terms. Over time, as the Reconquista neared completion, the canonical bond between Calatrava and Morimond relaxed more and more, and the knights of the order became virtually secularized, finally undergoing ...
This led to a re-evaluation of older designs over Baroque and Roccoco styles, a new appreciation for the medieval origins of the art. [ 38 ] [ 39 ] Since the late nineteenth century, heraldry has focused on the use of varied lines of partition and little-used ordinaries to produce new and unique designs.