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Detail of the painting The Procuress (c. 1656), proposed self portrait by Vermeer [1] The following is a list of paintings by Johannes Vermeer (1632–1675), a Dutch Golden Age painter. After two or three early history paintings, he concentrated almost entirely on genre works, typically interiors with one or two figures. Vermeer's paintings of ...
Johannes Vermeer (/ v ər ˈ m ɪər, v ər ˈ m ɛər / vər-MEER, vər-MAIR, Dutch: [joːˈɦɑnəs fərˈmeːr]; see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch painter who specialized in domestic interior scenes of middle-class life. He is considered one of the greatest painters of the Dutch Golden Age.
The pigment analysis has shown that Vermeer's choice of painting materials did not reveal any peculiarities as he used the usual pigments of the baroque period. The green drapery in the foreground is painted mainly in a mixture of blue azurite and lead-tin-yellow , while the lower part contains green earth .
The Astronomer by Jan Vermeer, 1668. This painting was one of Hitler's personal favorites. Madonna of Bruges was intended for the Fuhrermuseum This painting was intended to be hung in the Fuhrermuseum. Adolf Hitler's art collection was a large accumulation of paintings which he gained before and during the events of WWII. These paintings were ...
Salvador Dalí refers to The Art of Painting in his own surrealistic painting The Ghost of Vermeer of Delft Which Can Be Used as a Table (1934). In Dalí's painting the image of Vermeer from The Art of Painting, although not true to the representation regarding Vermeer's clothes, is viewed from behind, re-created as a strange kind of table.
Milkmaid by Vermeer and Dutch Genre Painting Masterworks from the Rijksmuseum Amsterdam: Exhibition, The National Art Center, 26 September-17 December 2007. Tokyo: Tokyo Shimbun, 2007. OCLC 690709724 - 2007 exhibition catalog; Wheelock, Arthur K. Vermeer & the Art of Painting. New Haven: Yale University Press, 1995. ISBN 978-0-300-06239-7 OCLC ...
X-ray examination has revealed evidence of a pin-hole at the vanishing point, as habitually used by Vermeer in conjunction with a thread to achieve correct perspective in his paintings. [7] Pigments are used in the painting in a way typical of Vermeer, most notably the expensive ultramarine as a component in the background wall. [ 9 ]
Her mouth is ajar and her face, slightly pink, receives light from the right, which is unusual in the works of Johannes Vermeer. [3] However, after a study using the latest technology in preparation for a 2022 exhibition, titled Vermeer's Secrets [5] it was ascertained that Vermeer began by painting the portrait of a man wearing a wide-brimmed ...
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