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1930s in jazz. Swing jazz emerged as a dominant form in American music, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie, Cab Calloway, Jimmy and Tommy Dorsey, Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines, Glenn ...
Nat Shilkret and the Victor Orchestra (voc Lewis James) "Dancing With Tears In My Eyes" [ 6 ] Victor 22425. May 12, 1930 (1930-05-12) June 10, 1930 (1930-06-10) US Billboard 1930 #3, US #1 for 7 weeks, 11 total weeks. 4. Paul Whiteman and His Orchestra (Vocal Jack Fulton) " Body and Soul ".
Comparing the music of New Orleans with the music of Cuba, Wynton Marsalis observes that tresillo is the New Orleans "clavé", a Spanish word meaning "code" or "key", as in the key to a puzzle, or mystery. [70] Although the pattern is only half a clave, Marsalis makes the point that the single-celled figure is the guide-pattern of New Orleans ...
Trad jazz, short for "traditional jazz", is a form of jazz in the United States and Britain that flourished from the 1930s to 1960s, [1] based on the earlier New Orleans Dixieland jazz style. Prominent trad jazz musicians such as Chris Barber, Freddy Randall, Acker Bilk, Kenny Ball, Ken Colyer and Monty Sunshine [1] performed a populist ...
Western swing. Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. Swing bands usually featured soloists who would improvise on the melody over the arrangement.
Events. The Great Depression had started. Unemployment rates had risen to 25% of the workforce, and up to 60% of African American men were out of work. Cities were crowded with workseekers. Black musicians were not allowed to play in studios or on radio. However, jazz music was resilient.
8 February – Singer Sam Browne makes his first recording with Bert Ambrose's band on Decca. [1]5 April – 25-year-old Michael Tippett gives a concert at Oxted consisting entirely of his own works—a Concerto in D for flutes, oboe, horns and strings; settings for tenor of poems by Fry; Psalm in C for chorus and orchestra, again with a text by Fry; piano variations on the song "Jockey to the ...
Beautiful Love (1931 song) Begin the Beguine. Blame It on My Youth. Blue Lou. Blue Moon (1934 song) Blues in My Heart. Body and Soul (1930 song) But Not for Me (song) By Myself (1937 song)