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Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance. [1] It is sometimes referred to as visual poetry, a term that has now developed a distinct meaning of its own. Concrete poetry relates more to the visual than to the verbal arts although ...
Altar poem. An altar poem is a pattern poem in which the lines are arranged to look like the form of an altar. The text and shape relate to each other, the latter usually giving added meaning to the poem itself. The tradition of shaped poetry goes back to Greek poets writing in Alexandria before the Common Era but most examples date from later ...
Seiichi Niikuni (新国誠一, Niikuni Seiichi, December 7, 1925 – August 23, 1977) was a Japanese poet and painter. He was one of the foremost pioneers of the international avant-garde concrete poetry movement, creating works of calligraphic, visual and aural poetry. He is recognized as one of the most important poets of recent times in ...
In a Station of the Metro" is an early work of Modernist poetry as it attempts to "break from the pentameter", incorporates the use of visual spacing as a poetic device, and does not contain any verbs. [3] The work originally appeared with different spacing between the groups of words. This can be found in the on-line version of Poetry magazine ...
The Altar (poem) The poem in a Baroque architectural frame from the 1670 edition of George Herbert's The Temple. " The Altar" is a shaped poem by the Welsh-born poet and Anglican priest George Herbert, first published in his posthumous collection The Temple (1633). The poem is founded on a Baroque metaphor with a long history of prior use of ...
A calligram is a set of words arranged in such a way that it forms a thematically related image. It can be a poem, a phrase, a portion of scripture, or a single word; the visual arrangement can rely on certain use of the typeface, calligraphy or handwriting, for instance along non-parallel and curved text lines, or in shaped paragraphs. The ...
Visual poetry focuses on playing with form, which means it often takes on various art styles. These styles can range from altering the structure of the words on the page to adding other kinds of media to change the poem itself. [2] Some forms of visual poetry may retain their narrative structure, [3] but this is not a requirement of visual poetry.
Mary Ellen Solt. Mary Ellen Solt, née Bottom (July 8, 1920 in Gilmore City, Iowa – June 21, 2007) was an American concrete poet, essayist, translator, editor, and professor. Her work was most notably poems in the shape of flowers such as "Forsythia", "Lilac", and "Geranium". They were collected in Flowers in Concrete (1966).