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Chasing (French: ciselure) or embossing is a similar technique in which the piece is hammered on the front side, sinking the metal. The two techniques are often used in conjunction. Many metals can be used for chasing and repoussé work, including gold, silver, copper, and alloys such as steel, bronze, and pewter.
2004. Eduardo Tubig Mutuc[1] is a Filipino metalsmith and sculptor. [2] He is a known to be a practitioner of the craft of pinukpuk which involved the stamping of embellishments on metal sheets. [3] Mutuc creates works of both secular and religious nature using silver, wood and bronze mediums. This includes retablos, mirrors, altars and carosas.
Silverpoint is one of several types of metalpoint used by scribes, craftsmen and artists since ancient times. Metalpoint styli were used for writing on soft surfaces (wax or bark), ruling and underdrawing on parchment, and drawing on prepared paper and panel supports. For drawing purposes, the essential metals used were lead, tin and silver.
Vitreous enamel. Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C (1,380 and 1,560 °F). The powder melts, flows, and then hardens to a smooth, durable vitreous coating. The word vitreous comes from the Latin vitreus, meaning "glassy".
Mokume-gane. Tsuba with a hawk and a sparrow, made by Hamano Masanobu, using the mokume-gane technique. Mokume-gane (木目金) is a Japanese metalworking procedure which produces a mixed-metal laminate with distinctive layered patterns; the term is also used to refer to the resulting laminate itself. The term mokume-gane translates closely to ...
Lobster Trap and Fish Tail, a mobile by American artist Alexander Calder, is located at the Museum of Modern Art in New York City, New York, United States.It is one of Calder's earliest hanging mobiles and "the first to reveal the basic characteristics of the genre that launched his enormous international reputation and popularity."