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Lyric setting. Lyric setting is the process in songwriting of placing textual content (lyrics) in the context of musical rhythm, in which the lyrical meter and musical rhythm are in proper alignment as to preserve the natural shape of the language and promote prosody. Prosody is defined as "an appropriate relationship between elements."
Counting (music) In music, counting is a system of regularly occurring sounds that serve to assist with the performance or audition of music by allowing the easy identification of the beat. Commonly, this involves verbally counting the beats in each measure as they occur, whether there be 2 beats, 3 beats, 4 beats, or even 5 beats.
Rhyme scheme. A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (perfect rhyming) is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. [1]
The word as we first heard it was super-cadja-flawjalistic-espealedojus. [9] Dictionary.com meanwhile says it is "used as a nonsense word by children to express approval or to represent the longest word in English." [10] The word contains 34 letters and 14 syllables.
The hymn "Amazing Grace" exemplifies a standard form, with a four-line stanza, in which lines with four stressed syllables alternate with lines with three stressed syllables; stressed syllables are rendered in bold. Amazing grace, how sweet the sound that saved a wretch like me. I once was lost, but now am found, was blind, but now I see.
Syllabic verse. Syllabic verse is a poetic form having a fixed or constrained number of syllables per line, while stress, quantity, or tone play a distinctly secondary role—or no role at all—in the verse structure. It is common in languages that are syllable-timed, such as French or Finnish, as opposed to stress-timed languages such as ...
If the accent lies on the second to last syllable of the last word in the verse, then the final count of poetic syllables will be the same as the grammatical number of syllables. Furthermore, if the accent lies on the third to last syllable, then one syllable is subtracted from the actual count, having then less poetic syllables than ...