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Stride piano is highly rhythmic because of the alternating bass note and chord action of the left hand. In the left hand, the pianist usually plays a single bass note, or a bass octave or tenth, followed by a chord triad toward the center of the keyboard, while the right hand plays syncopated melody lines with harmonic and riff embellishments ...
The DownBeat reviewer of Emanation (Solo: Volume 2) commented on the absence of a "steady pulse, stride or walking bass" in her solo piano playing; "Instead, she establishes momentum through a rhythmic motif [...and] keeps things moving through more intricate alterations between her hands".
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...
"Moondance" was recorded at the Mastertone Studio in New York City in August 1969, with Lewis Merenstein as producer. [5]The song is played mostly acoustic, anchored by a walking bass line (played on electric bass by John Klingberg), with accompaniment by piano, guitar, saxophones, and flute with the instruments played with a soft jazz swing.
Mozart's Piano Sonata, K 545 opening. The right hand plays the melody, which is in the top stave. The left hand plays the accompaniment part, which is in the lower stave. In the first bar of the accompaniment part, the pianist plays a C Major chord in the left hand; this chord is arpeggiated (i.e., a chord in which the notes are played one after the other, rather than simultaneousl
Jazz bass is the use of the double bass or electric bass guitar to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs.
More than any other jazz bass player in history, Page is credited with developing and popularizing the "walking bass" style of playing on all four beats, a transition from the older, two-beat style. [21] "He started that 'strolling' or 'walking' bass", recalls Harry "Sweets" Edison, "going way up and then coming right on down.
The Walking Piano, also called the Big Piano by its creator, Remo Saraceni, is an oversized synthesizer. [1] Merging dance, music, and play, it is played by the user's feet tapping the keys to make music. Versions of the piano have been installed in museums, children's hospitals, and other public places around the world. [citation needed]