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Ottoman miniature (Turkish: Osmanlı minyatürü) is a style of illustration found in Ottoman manuscripts, often depicting portraits or historic events.Its unique style was developed from multiple cultural influences, such as the Persian Miniature art, as well as Byzantine and Mongol art.
The painting closely echoes the images of Mehmed II on Costanzo da Ferrara, an Italian painter and medalist. The irrefutable proximity of the painting and the medals' portrayal makes the painting highly likely to be a rectangular "close copy of either Costanzo's medal or a lost painting by the artist". [13] Seated Painter (ca. 1478–81)
Levni's Signature on a miniature painting of a tulip (1720). Levnî Abdulcelil Çelebi (1680s–1732) early 18th century Ottoman court painter (attained the position of court painter during the reign of Mustafa II and Ahmed III). He was a prominent Ottoman miniaturist during the Tulip Period, well-regarded for his traditional yet innovative style.
Nusret Çolpan (October 1, 1952 – May 31, 2008) was a Turkish painter, architect and miniaturist, renowned for his paintings in Ottoman miniature style depicting cities around the world, particularly Istanbul. He painted over 300 miniatures in his 30-year career.
Due to his appealing distinct style, it brought forward more “volume, definition, and weight” to the Ottoman paintings. His work also managed on letting the figures evade traditional representative prototypes by displaying his model figures in space unlike other artists, before, and during his art-history time period.
The dedication is to Murad III, also naming his compiler Mehmed Cenderecizade. The Murad III muraqqa was designed much more extravagantly than other Islamic muraqqa and with original nakkashane (Ottoman painting studio) border paintings. [27] This muraqqa contained miniature paintings, ink drawings, and calligraphy, including ghazals.