Search results
Results From The WOW.Com Content Network
"Baby Come Back" is a song by the British-American rock band Player. It was released in late 1977 as the lead single from their 1977 self-titled debut album, and was the breakthrough single for the band, gaining them mainstream success, hitting #1 on the US Billboard Hot 100 for the three consecutive weeks of January 14, 21 and 28, 1978 and #10 on the R&B charts in 1978. [5]
Player is an American rock band that was formed in Los Angeles the late 1970s. The group scored several US Hot 100 hits, three of which went into the top 40; two of those single releases went top 10, including the No. 1 hit "Baby Come Back", written by group members Peter Beckett and J.C. Crowley.
"Come Back Baby" is a slow blues song written and recorded by the blues singer and pianist Walter Davis in 1940. [1] Ray Charles's version, with the title "Come Back" and with songwriting credited to Charles, was released as the B-side to Charles's 1954 single, "I Got a Woman". The song received airplay and peaked at number four on the R&B ...
"I Wish You Would" is a song recorded by Chicago blues musician Billy Boy Arnold in 1955. It was developed while Arnold was performing with Bo Diddley and incorporates a Diddley-style rhythm. Called "a timeless Chicago blues classic", [ 2 ] "I Wish You Would" is Arnold's best-known song and has been recorded by several artists, including the ...
Come Back Baby" is a 1940 song written by Walter Davis. The name may also refer to: "Come Back Baby", a 1965 song by Bluesology
What You Want / You Are My Very Special Baby: 45-5107 1958 Little Miss Linda / Missy Ann: 45-5121 Felsted Records (US) 1960 Come Back Baby / No Never Alone: 45-8592-V Le Cam Records (US) 1962 Singing The Blues / Soho: 339 1962 Dance Her By Me (One More Time) / You're The One: 954 1965 Lie And Get By / I Just Ain't Got: 965 Dot Records (US) 1962
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
A music video was produced for each of the three versions; death is a recurring theme in all of these videos, fitting in with the suggestion in Virgin Records' press release for Original Sin that "in Steinman's songs, the dead come to life and the living are doomed to die". [8]