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Homosexual love (مذكرات mudhakkarat) as a literary theme occurred in the realm of poetry throughout the Arab world; the Persian jurist and litterateur Muhammad ibn Dawud (868 - 909) wrote, at the age of 16, the Book of the Flower, an anthology of the stereotypes of the love lyric that devotes ample space to homoerotic verses; [18] Emilio ...
Islamic poetry is very important and it is heritage passed generation to generation. These poems and features examine Muslim faith and Islamic culture and address important events, holidays, and occasions such as Ramadan. These poets explore a range of spiritual, literary, and political concerns from the 6th century to the present day.
Abu Nuwas’s diwan, his poetry collection, was divided by genre: panegyric poems, elegies, invective, courtly love poems on men and women, poems of penitence, hunting poems, and wine poems. [7] His erotic lyric poetry, which is mostly homoerotic, is known from over 500 poems and fragments. [ 8 ]
"[Joel Hayward] is a very skilful and gifted poet whose way with words is impressive. His poems are easy to understand, highly pertinent and equally spiritually profound, that is to say, this collection of poems are much more than poetry; they also provide a powerful commentary on the social, political, moral and religious challenges and difficulties currently facing Muslims and non-Muslims alike.
His love poems are devoted to the praise of Huraira, a black female slave. He is said to have believed in the Christian eschatological themes of Resurrection and Last Judgment, and to have been a monotheist. [citation needed] These beliefs may have been due to his interactions with the bishop of Najrān and the 'Ibādites of Al-Hirah. His poems ...
Alā yā ayyoha-s-sāqī is a ghazal (love poem) by the 14th-century poet Hafez of Shiraz. It is the opening poem in the collection of Hafez's 530 poems. In this poem, Hafez calls for wine to soothe his difficulties in love. In a series of varied images he describes his feelings.
The attribution of so many poems to Abū-Sa'īd was due to his great fondness for poetry. His love for poetry can be seen from the fact that he usually used love poetry written by non-Sufis in his daily prayers. Even his last words were a poem, and at his funeral instead of the recitation of Qur’anic verses, he requested the following poem.
[31] The structure of the poem parodies Arabic love poems in which lovers meet at night in the desert. [32] In another, titled "Sulayma Says to Her Neighbor Women", [ c ] he meets a ghul and attempts to have sex with her, but she writhes and reveals her horrible face, which prompts him to cut her head off. [ 33 ]