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The Savannah accent is also becoming more Midland-like. The following vowel sounds of Atlanta, Charleston, and Savannah have been unaffected by typical Southern phenomena like the Southern drawl and Southern Vowel Shift: [57] /æ/ as in bad (the "default" General American nasal short-a system is in use, in which /æ/ is tensed only before /n ...
The Southern drawl is a common name for, broadly, the accent of Southern American English or, narrowly, a particular feature of the accent: the articulation of the front pure vowels with lengthening and breaking (diphthongization or even triphthongization), perhaps also co-occurring with a marked change in pitch.
Southern Drawl is the twenty-third studio album by American country music group Alabama, and their first new studio album of original materials since When It All Goes South in 2001. The album was released on September 18, 2015, with lead single "Wasn't Through Lovin' You Yet" released the same month. [ 3 ]
The Southern Shift and Southern Drawl: A vowel shift known as the Southern Shift, which largely defines the speech of most of the Southern United States, is the most developed both in Texas English and here in Appalachian English (located in a dialect region which The Atlas of North American English identifies as the "Inland South"). [11]
The Texan accent gained nationwide fame with the presidency of native Texan Lyndon B. Johnson. A lifelong resident of the Texas Hill Country, Johnson's thick accent was a large part of his personality and brought attention and fame to the dialect. [4] [29] The Texan dialect gained fame again when George W. Bush started to serve as president.
Older Southern American English is a diverse set of English dialects of the Southern United States spoken most widely up until the American Civil War of the 1860s, gradually transforming among its White speakers—possibly first due to postwar economy-driven migrations—up until the mid-20th century. [1]
Cajun English is traditionally non-rhotic and today variably non-rhotic. A comparison of rhoticity rules between Cajun English, New Orleans English, and Southern American English showed that all three dialects follow different rhoticity rules, and the origin of non-rhoticity in Cajun English, whether it originated from French, English, or an independent process, is uncertain.
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