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Horror is often divided into the sub-genres of psychological horror and supernatural horror. Literary historian J. A. Cuddon, in 1984, defined the horror story as "a piece of fiction in prose of variable length ... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". [1]
Colloquially, the term "ghost story" can refer to any kind of scary story. In a narrower sense, the ghost story has been developed as a short story format, within genre fiction. It is a form of supernatural fiction and specifically of weird fiction, and is often a horror story.
Gary Crawford (1986) "Criticism" in J. Sullivan (ed) The Penguin Encyclopedia of Horror and the Supernatural. Ann Radcliffe (1826) "On the Supernatural in Poetry" in The New Monthly Magazine 7, 1826, pp 145–52. Devendra Varma (1966) The Gothic Flame. New York: Russell and Russell. Gina Wisker (2005) Horror Fiction: An Introduction. New York ...
Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting. The name refers to Gothic architecture of the European Middle Ages , which was characteristic of the settings of early Gothic novels.
The core themes and atmosphere of cosmic horror were laid out by Lovecraft himself in "Supernatural Horror in Literature", his essay on gothic, weird, and horror fiction. A number of characteristics have been identified as being associated with Lovecraftian horror: Fear of the unknown and unknowable. [20]
In many cases, and in a similar way as the overlapping genre of psychological thriller, psychological horror may deploy an unreliable narrator or imply that aspects of the story are being perceived inaccurately by a protagonist, thus confusing or unsettling the audience and setting up an ominous or disturbing overarching tone. In other cases ...
The Haunting of Velkwood reads like a literary double ... with a penchant for broken glass evokes the very best of Clive Barker’s Books of Blood body horror. It’s the closing story, though ...
In Mary Shelley's Frankenstein, Victor Frankenstein, driven by his insatiable desire for knowledge and enlightenment, creates a monster using body parts from deceased criminals in an attempt to make the perfect human being, one who is stronger and smarter than all others.