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The first digital delay offered in a pedal was the Boss DD-2 in 1984. Rack-mounted delay units evolved into digital reverb units and on to digital multi-effects units capable of more sophisticated effects than pure delay, such as reverb and audio time stretching and pitch scaling effects.
The LCD. The VL-1 featured a small LCD display capable of displaying 8 characters. This was primarily used for the calculator function, but also displayed notes played. The VL-1 also had changeable tone and balance, basic tempo settings and a real-time monophonic music sequencer, which could play back up to 99 notes.
MX-20 - An electric piano produced from 1977 to 1978. [6] Had five presets (high/low piano and clavichord and 'honky tonk') and a bass split with independent volume control. 61 key keyboard. Tune, Sustain and vibrato controls. MX-28 - The MX-28's literature says (C)1981. It is very similar to MX20 except that it uses sliders instead of rotary ...
Has portamento, pitch bender, three reverb effects, velocity sensitive keyboard. CT 888 2002 73 full MIDI CT 6000 1985 61 full 20 8 in/out 8 tone effects, pitch bender wheel with full octave range, velocity sensitive keyboard. [56] CT 6500 1986 61 full 48 8 MIDI 3 tone effects, modulation wheel and other features. [57] CTK 50 1995 49 full 100 8 ...
Piano simulation: A common feature of the digital piano, stage piano, and high-end workstations that allows real-time simulation of a sampled piano sound. It provides various piano-related effects, such as room reverberation, sympathetic resonance , piano lid position (as on a grand piano), and settings to adjust the tuning and overall sound ...
Some effect pedals used with electromechanical keyboards such as the Fender Rhodes electric piano or digital keyboards respond to loudness and so, indirectly, to key velocity. Examples include overdrive pedals, which produce a clean sound for softer notes, and a distortion effect for louder notes—and fixed wah-wah pedals that filter the audio ...
Digital reverb units simulate reverb by using multiple delay lines with fading trails, giving the impression of sound bouncing off surfaces. Some digital effects allow users to independently adjust early and late reflections. [2] Digital reverb was introduced in 1976 by EMT with the EMT 250, [2] and became popular in the 1980s. [1]
A keyboard matrix circuit is a design used in most electronic musical keyboards and computer keyboards in which the key switches are connected by a grid of wires, similar to a diode matrix. For example, 16 wires arranged in 8 rows and 8 columns can connect 64 keys—sufficient for a full five octaves of range (61 notes).
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