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The LCD. The VL-1 featured a small LCD display capable of displaying 8 characters. This was primarily used for the calculator function, but also displayed notes played. The VL-1 also had changeable tone and balance, basic tempo settings and a real-time monophonic music sequencer, which could play back up to 99 notes.
The first digital delay offered in a pedal was the Boss DD-2 in 1984. Rack-mounted delay units evolved into digital reverb units and on to digital multi-effects units capable of more sophisticated effects than pure delay, such as reverb and audio time stretching and pitch scaling effects.
Has portamento, pitch bender, three reverb effects, velocity sensitive keyboard. CT 888 2002 73 full MIDI CT 6000 1985 61 full 20 8 in/out 8 tone effects, pitch bender wheel with full octave range, velocity sensitive keyboard. [56] CT 6500 1986 61 full 48 8 MIDI 3 tone effects, modulation wheel and other features. [57] CTK 50 1995 49 full 100 8 ...
MX-20 - An electric piano produced from 1977 to 1978. [6] Had five presets (high/low piano and clavichord and 'honky tonk') and a bass split with independent volume control. 61 key keyboard. Tune, Sustain and vibrato controls. MX-28 - The MX-28's literature says (C)1981. It is very similar to MX20 except that it uses sliders instead of rotary ...
Pedal-style multi-effects range from fairly inexpensive stompboxes that contain two pedals and a few knobs to control the effects to large, expensive floor units with many pedals and knobs. Rack-mounted multi-effects units may be mounted in the same rack as preamplifiers and power amplifiers.
Digital reverb units simulate reverb by using multiple delay lines with fading trails, giving the impression of sound bouncing off surfaces. Some digital effects allow users to independently adjust early and late reflections. [2] Digital reverb was introduced in 1976 by EMT with the EMT 250, [2] and became popular in the 1980s. [1]
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