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Hana Yori Dango Final: The Movie [3] (花より男子 F (ファイナル), Hana Yori Dango Fainaru) is a 2008 Japanese film [2] directed by Yasuharu Ishii and starring Mao Inoue and Jun Matsumoto. It is the last part of the Japanese live-action Boys Over Flowers trilogy, based on the manga series by Yoko Kamio .
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Title Director Cast Genre Notes 1980: Bandish: Pintar Pintar Bodoh: Arizal: Warkop: Comedy: Ratapan Anak Tiri 2: Drama: 1981: A Balinese Trance Seance: Dalan lingkaran cinta
On the review aggregator website Rotten Tomatoes, 100% of eight critics' reviews are positive, with an average rating of 9.3/10. [6]Elizabeth Kerr of The Hollywood Reporter praised Andini's interpretation of child trauma and called the film "a quietly powerful portrait of childhood grief". [7]
The project began filming in 2007, and was at first accused of being a copy of the 2003 British romantic comedy film Love Actually.Writer Titien Wattimena denied that it was a copy, and Christo Damar of 'The Nature Producers' stated that while Love began with the same basic precept, it was actually based upon the 2006 film Cinta, with perhaps a 10% similarity to its predecessor, and 90% being ...
Choke is a 2008 American black comedy film written and directed by Clark Gregg, based on the 2001 novel by Chuck Palahniuk.It stars Sam Rockwell and Anjelica Huston.It tells the story of a man who works in a colonial theme park, attends sexual addiction recovery meetings, and intentionally chokes on food in upscale restaurants so his "rescuers" give him money out of sympathy and thus cover his ...
The cinema of Indonesia refers to films produced domestically in Indonesia. The statutory Indonesian Film Board, or BPI, defines Indonesian films as "movies that are made by or using Indonesian resources whose Intellectual Property Right is owned either entirely or partly by Indonesian citizen or Indonesian legal entity". [5]
She appeared in 42 films before her death in 2008, including Bernafas dalam Lumpur , Beranak dalam Kubur and Sundel Bolong. [7] Indonesian horror films, particularly the work of Joko Anwar, attracted heightened international attention in the late 2010s, aided by streaming services.